
Anna Darling
Singer/Dancer/Actor
Madison, Wisconsin
TEN DAYS IN A MADHOUSE with Music Theatre of Madison- Madison,WI
"Anna Pfefferkorn is an unsinkable, energetic Nellie Bly; part Anne of Green Gables, part Nancy Drew. Underneath a black straw hat and Bly's signature plaid coat, Pfefferkorn's vibrant auburn hair hangs down her back in a long braid and frames her face, full of plucky optimism and determination. Her lovely soprano sails easily over the audience as she sings about her mission to report the shocking truth of malnutrition, mistreatment, disease and neglect that lies behind the asylum walls."
~ Gwendolyn Rice, Isthmus.com
HELD: A MUSICAL FANTASY with Music Theatre of Madison- Madison, WI
"As Korin, Anna Pfefferkorn has a melancholy, ethereal quality."
~ Gwendolyn Rice, Isthmus.com
MAN OF LA MANCHA with Four Seasons Theatre- Madison, WI
"...the luminous Anna Pfefferkorn as Antonia..."
~ Gwendolyn Rice, Isthmus.com
THE FULL MONTY with Middleton Players Theatre- Middleton, WI
"As Vicki, the enthusiastically materialistic wife of former factory boss Harold...Anna Pfefferkorn owned 'Life With Harold', her big musical number."
~ Aaron R. Conklin, Madison Magazine
THE ROCKY HORROR SHOW with The Alchemist Theatre- Milwaukee, WI
"Anna Pfefferkorn is [successful] in her total reinterpretation of Columbia as a platinum blonde Marilyn Monroe type, alternately mooning for her lost boyfriend and swanning about in endlessly entertaining poses. She's charismatic and fun..."
~ Jeff Grygny, Examiner.com
"...I first saw Anna Pfefferkorn on stage, as the lead in a production of "Carrie," where she initially dressed down and tucked in, as a character trying to deny her sexuality and herself. Dressed here as Marilyn Monroe, Pfefferkorn is embodying Columbia, the cast-off Frank groupie who flaunts her sexuality and gives us a taste of dirty dancing alongside Eddie (Sean Duncan).
For all their differences, what Pfefferkorn's versions of these two characters most obviously share — alongside Rapunzel, played by Pfefferkorn in an intervening Skylight Music Theatre production last spring of "Into the Woods" — is Pfefferkorn's own lovely voice. But as she presents them, Carrie, Rapunzel and Columbia also share a heightened sense of themselves as outsiders, excluded from the sexually and emotionally fulfilling relationships others around them enjoy. In all three roles, Pfefferkorn has seemed alternately frightened and forlorn — afraid of what she's missing and sad all the same that she's missing it."
~ Mike Fischer, JSonline.com